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The Asphyx

Plot

Author: Alessandro Venditti
Adaptation: Kevan Houser

In the Victorian England of 1875, Sir Hugo Cunningham is intrigued by mysterious smudges appearing in different photos taken of subjects on the threshold of death. Initially convinced he’s captured the moment when the soul leaves the body, he later comes to believe that it’s instead an “asphyx”, a spirit of death allegedly described in Greek mythology that “… manifests itself only in times of danger, having existed in eternal agony“.

This begs the question, what would happen if such an entity were somehow prevented from taking possession of the dying person? Cunningham quickly becomes obsessed with the theory that capturing and “bottling up” someone’s asphyx would render that individual immortal, and when a terrible family tragedy strikes, the deeply affected nobleman responds by dedicating his life to this macabre research.

Were he to achieve his incredible objective, the Cunningham line would never again endure the bitterness of sunset!

Trap a man's asphyx in a beam of light [...] and you have immortal man.

Critique

6
Author: Alessandro Venditti
Adaptation: Kevan Houser

Peter Newbrook, experienced camera operator and veteran director of photography, makes his sole directorial effort, delivering this intense and melancholic work that focuses on the age-old fear of death. It’s interesting to note that the entire debate is framed in a precise, rational context, reflected by Cunningham’s respect for the mandates of the experimental method. This means that even the investigation of a metaphysical element – which is what the asphyx is – assumes a scientific connotation.

This is the story of a scientist who gets carried away with insane research, becoming increasingly locked into his own egoistic positions while rejecting requests to share knowledge, and it quickly becomes a parable of personal perdition. Clouded by “Übermensch” philosophical perspectives (“Once immortal, one could govern the course of events perpetually“) and determined to challenge Divine Providence (‘Tempting Providence is the pastime of fools’ ‘… and the destiny of the great’), Cunningham ends up betraying his own ideals, not to mention the code of ethics of the order to which he belongs.

Consequently, the film (primarily through adopted son Giles’s voice of conscience) confronts the classic theme of ethical boundaries that would limit mankind’s actions with the threat of eternal damnation: (“This isn’t science, you’ve no right to experiment with this!“; “You have responsibilities, yes, but one of them requires you to know when to relinquish power“). In that regard, the character motivations and terminology seem to reflect a Christian worldview.

And so, morality, sin, suffering, and atonement are the main ingredients in this somber sci-fi horror drama with a Victorian setting reminiscent of the evocative and disturbing backdrops that characterize novels by authors of the caliber of Robert Louis Stevenson and Arthur Machen.

Technically well shot, “The Asphyx” also scores points with its accurate period reconstruction (excellent art direction) and refined photography rich in autumnal tones. A British Glendale Film production.

More Info

This movie details synthesis may not contain all cast or crew.
Original Title:
The Asphyx
Original Language:
en
Year:
1972
Runtime:
99
Production Companies:
Glendale
Production Countries:
GB
Also Known As:
The Horror of Death (US), Asphyx (IT), Asphyx - Der Geist des Todes (DE), Experiments (DE), Asfixia (ES), L'Esprit de la Mor (FR)
 
Directors:
Peter Newbrook
Screenwriters:
Brian Comport
Producers:
John Brittany
Directors of Photography:
Freddie Young
Music / Composers:
Bill McGuffie
Effects:
Doug Ferris, Jimmy Evans, Ted Samuels
Actors:
Robert Powell (Giles Cunningham), Robert Stephens (Sir Hugo Cunningham), Jane Lapotaire (Christina Cunningham), Alex Scott (Sir Edward Barett), Ralph Arliss (Clive Cunningham), Fiona Walker (Anna Wheatley), Terry Scully (Pauper), Tony Caunter (Warden), Paul Bacon (1st Member)

Quotes

  • Trap a man's asphyx in a beam of light and seal it off so that it has no way of escaping, and you have immortal man.
  • My colleagues and I [...] photograph the dead.

Trivia

  • Curious similarities exist between Newbrook’s film and the B movie “The Tingler” (1959) by William Castle. Both feature a protagonist who is a man of science interested in understanding what happens to an individual under truly extraordinary circumstances – the moments preceding death in the first case, and a state of extreme terror in the second. In addition, both questions are resolved with the unveiling of an unknown creature, a sort of horrific being that somehow exists as an innate part of us.

Products

Handmade selection of related products.

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Product name Price
The Asphyx (Special Edition)
The Asphyx (Special Edition)
View on Amazon
The Asphyx (aka The Horror of Death, Spirits of the Dead) [Blu-ray]
The Asphyx (aka The Horror of Death, Spirits of the Dead) [Blu-ray]
View on Amazon
Nome del prodotto Prezzo
Asphyx, Restaurato In HD, Special Edition, 2 DVD
Asphyx, Restaurato In HD, Special Edition, 2 DVD
Vista su Amazon
Product name Price
Asphyx [Blu-ray] [1973] [US Import] [Region A] [NTSC]
Asphyx [Blu-ray] [1973] [US Import] [Region A] [NTSC]
View on Amazon
Nombre del producto Precio
Asfixia [Blu-ray]
Asfixia [Blu-ray]
Ver en Amazon
Produktname Preis
DER AUTOVAMPIR / ASPHYX - DER GEIST DES TODES - Horror - Blu-ray Bundle - Limited Edition
DER AUTOVAMPIR / ASPHYX - DER GEIST DES TODES - Horror - Blu-ray Bundle - Limited Edition
Bei Amazon ansehen
Nom du produit Prix
The Asphyx - L'esprit de la mort
The Asphyx - L'esprit de la mort
Voir sur Amazon
Product name Price
ASPHYX
ASPHYX
View on Amazon
Asphyx
Asphyx
View on Amazon

Primary Sidebar

Director: 
Peter Newbrook
Year: 
1972
Original Title: 
The Asphyx (en)
Runtime: 
99 min.
English Dub: 

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Genres

Drama, Horror, Sci-Fi

Tags

Ghosts , Gothic , Mad Doctor 

Connections

External
TMDB, IMDB

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