A glimpse into the world of cinematic horror and sci-fi.

An off-screen narrator or a "storyteller" character serves as a link between the episodes, whose common denominator might lie in the subject matter, or in a shared protagonist (for example, a collection of some of that character's life experiences), actor, or director (such as the case of "Black Sabbath," a triptych of disparate stories linked by Mario Bava's gifted direction). Additionally, such films make use of match cuts that enable the character to cross over from one story to the next.
Historically, genre cinema has long utilized an episodic structure, but even though works of this type have been produced since the 1940s - "Dead of Night" (1945) comes to mind - it wasn't until the 1960s when the formula hit its stride, achieving a level of success that made it the hallmark of well-known production companies such as British Hammer Films and - most significantly - Amicus Productions.
The table below includes only the films we’ve already reviewed, filtered by the current Tag. We know many important titles are still missing: they’ll come in time. Some features are reserved for our Patreon supporters.
| Title | Directors | Year | Score |
|---|---|---|---|
| Amer | Bruno Forzani, Hélène Cattet | 2009 | 6 |
| Body Bags | John Carpenter, Larry Sulkis, Tobe Hooper | 1993 | 4.5 |
| Southbound | Chad Villella, David Bruckner, Justin Martinez, Matt Bettinelli-Olpin, Patrick Horvath, Roxanne Benjamin, Tyler Gillett | 2015 | 6.5 |
| Tales from the Darkside: The Movie | John Harrison | 1990 | 6.5 |
| The Three Faces of Terror | Sergio Stivaletti | 2004 | 4 |
| Trilogy of Terror | Dan Curtis | 1975 | 5 |
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