A glimpse into the world of cinematic horror and sci-fi.

Now it's up to the survivors to save what can be saved, and, if it's still possible, undertake the difficult process of rebuilding, with the full awareness that nothing will ever be the same again. Post-apocalyptic tales, the undisputed stars of cinematic sci-fi of the 1970s and '80s, thus tend to focus on a group of individuals grappling with an impoverished, barbaric situation. (+)
The collapse of society and civilized values, along with a chronic lack of resources and know-how, inevitably leads to a dystopic, backward milieu.
Consequently, the canonical ingredients of the genre include a return to violence and relationships based on brute force (a mindset along the lines of "homo homini lupus est"), a lost or distorted historical memory, and a revival of mysticism and/or religion, with the advent of new cults and beliefs, often characterized by euhemeristic tendencies. Events often unfold in a climate of anarchy and confusion, due to periodic incursions of looters and pillagers, the insane behavior of wannabe dictators, or, more generally, to the overwhelming weight of superstition and irrationality.
The table below includes only the films we’ve already reviewed, filtered by the current Tag. We know many important titles are still missing: they’ll come in time. Some features are reserved for our Patreon supporters.
| Title | Directors | Year | Score |
|---|---|---|---|
| Creepozoids | David DeCoteau | 1987 | 3 |
| Dance of the Dead | Tobe Hooper | 2005 | 3 |
| Day the World Ended | Roger Corman | 1955 | 6 |
| Hardware | Richard Stanley | 1990 | 6.5 |
| Silent Running | Douglas Trumbull | 1972 | 6 |
| Slipstream | Steven Lisberger | 1989 | 5 |
| Soylent Green | Richard Fleischer | 1973 | 8 |
| Terminator 2: Judgment Day | James Cameron | 1991 | 8 |
| The Omega Man | Boris Sagal | 1971 | 5 |
| The Ultimate Warrior | Robert Clouse | 1975 | 4.5 |
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