A glimpse into the world of cinematic horror and sci-fi.

Genies exhibit different habits and behavior depending on which "category" they belong to - ranging from djinn skilled at possessing human beings to those permanently linked to a given locale - although all genies share certain common traits, such as elusiveness and the ability to alter their appearance. This Tag will be assigned to films featuring one or more djinn/genies, whose current depiction has been heavily influenced by Western films, particularly after the first successful adaptations of the seminal "One Thousand and One Nights" (aka "Arabian Nights").
In contrast to fantasy films that tend to depict genies as friendly and benevolent creatures, the horror realm generally allows djinn to reclaim their traditional malevolence. In such cases, we're facing nefarious human-like beings with sardonic expressions, adorned with sparkling jewels, dangling earrings, and pierced eyebrows. And what about the ability to grant wishes? Films generally depict that, too, considering this trait dates back to the classic literary work "One Thousand and One Nights". Besides, in horror films, genies love playing fast and loose with how they grant wishes...
By extension, this Tag will also include gnomes, goblins, trolls, sylphs, leprechauns, and similar characters typical of European folklore who share traits that overlap those of the djinn.
The table below includes only the films we’ve already reviewed, filtered by the current Tag. We know many important titles are still missing: they’ll come in time. Some features are reserved for our Patreon supporters.
| Title | Directors | Year | Score |
|---|---|---|---|
| Aladdin | Bruno Corbucci | 1986 | 5 |
| Arabian Adventure | Kevin Connor | 1979 | 4 |
| Sorority Babes in the Slimeball Bowl-O-Rama | David DeCoteau | 1988 | 4 |
| The 7th Voyage of Sinbad | Nathan H. Juran | 1958 | 7 |
| Troll 2 | Claudio Fragasso | 1990 | 3 |
The content of this site is protected by copyright, and its use is prohibited without explicit consent. The multimedia files from the movies are the property of their respective production companies and are used in compliance with the “fair use” doctrine (criticism).
This site is intended to promote awareness of products related to the world of cinematic art. All views expressed regarding individual films, cast or crew merely reflect our personal opinions and should be taken as such. We acknowledge and respect divergent viewpoints.
This site is supported by its users, and the content is freely available without any type of ads or pop-ups. However, we reserve additional features for our supporters in recognition of the important role they play in this project. To them, we extend our sincere gratitude.