A glimpse into the world of cinematic horror and sci-fi.

Regardless of why the children and teens receiving this Tag behave the way they do (resentment, a desire for revenge, psychopathology, a power trip, plain old nastiness, etc.), they're generally driven by evil intentions, displaying cruel, violent, and/or perverted conduct to deliberately make others suffer or even kill them. By extension, this Tag will also consider cases of (pre)pubescent characters who, although not strictly "evil", are still the source of considerable turmoil, whether due to their intrinsic oddness ("The Damned" - 1962, "Children of the Damned" - 1964) or their precocious eroticism ("What the Peeper Saw" - 1972, "Maladolescenza" - 1977, "L'Immoralità" - 1978).
A quick review of the types of movies included in this Tag yields some general - although not necessarily mutually exclusive -categories:
The table below includes only the films we’ve already reviewed, filtered by the current Tag. We know many important titles are still missing: they’ll come in time. Some features are reserved for our Patreon supporters.
| Title | Directors | Year | Score |
|---|---|---|---|
| Creepozoids | David DeCoteau | 1987 | 3 |
| Deep Red | Dario Argento | 1975 | 7.5 |
| Halloween | Rob Zombie | 2007 | 6 |
| Orphan | Jaume Collet-Serra | 2009 | 6.5 |
| Pet Sematary | Mary Lambert | 1989 | 5 |
| Salem's Lot | Tobe Hooper | 1979 | 6 |
| Spookies | Brendan Faulkner, Genie Joseph, Thomas Doran | 1986 | 3 |
| Superstition | James W. Roberson | 1982 | 5.5 |
| The Blood on Satan's Claw | Piers Haggard | 1971 | 7.5 |
| The Brood | David Cronenberg | 1979 | 9 |
| The Damned | Joseph Losey | 1962 | 7 |
| The Lost Continent | Michael Carreras | 1968 | 4.5 |
| The Nanny | Seth Holt | 1965 | 6.5 |
| The Pit | Lew Lehman | 1981 | 6 |
| The Shining | Stanley Kubrick | 1980 | 8 |
| Village of the Damned | John Carpenter | 1995 | 4 |
The content of this site is protected by copyright, and its use is prohibited without explicit consent. The multimedia files from the movies are the property of their respective production companies and are used in compliance with the “fair use” doctrine (criticism).
This site is intended to promote awareness of products related to the world of cinematic art. All views expressed regarding individual films, cast or crew merely reflect our personal opinions and should be taken as such. We acknowledge and respect divergent viewpoints.
This site is supported by its users, and the content is freely available without any type of ads or pop-ups. However, we reserve additional features for our supporters in recognition of the important role they play in this project. To them, we extend our sincere gratitude.