A glimpse into the world of cinematic horror and sci-fi.

"Space opera" constitutes an important sub-category here, featuring stories in an action/adventure vein, generally set in interstellar or even intergalactic space. Cosmic voyages, battles waged with futuristic weapons, and interactions with amazing alien civilizations are among the most popular ingredients in this genre characterized by a wildly inconsistent level of scientific plausibility. Traditionally facile films aimed at a young audience, "space operas" have over time matured and grown more ambitious, to the point that numerous authors have used them to reflect upon themes of significant social, political, and even existential relevance. Finally, we will include those films that unfold exclusively - or nearly so - on the surface of one or more celestial bodies (planets, planetoids, moons, etc.) as well as on any possible artificial space structures.
Trivia: A celestial body's atmosphere doesn't disappear all at once, but instead becomes gradually more rarified as one moves away from the planet. The conventional boundary between Earth's atmosphere and outer space is represented by the imaginary "Kármán line" 100 kilometers (~62 miles) above Earth's mean sea level. While experts disagree on exactly where the atmosphere ends and space begins, the Kármán line is accepted by the FAI (Fédération aéronautique internationale, also known as the World Air Sports Federation) as well as by the United Nations. The US Armed Forces, however, defines an astronaut as a person who has flown higher than 50 miles (~80 km) above mean sea level, and in 2005, NASA changed their definition of an astronaut to match that of the military in order to eliminate inconsistency (for example, when both military and civilian personnel are aboard the same vehicle).
The table below includes only the films we’ve already reviewed, filtered by the current Tag. We know many important titles are still missing: they’ll come in time. Some features are reserved for our Patreon supporters.
| Title | Directors | Year | Score |
|---|---|---|---|
| Alien: Resurrection | Jean-Pierre Jeunet | 1997 | 6.5 |
| Capricorn One | Peter Hyams | 1977 | 6.5 |
| Creature | William Malone | 1985 | 3 |
| Dark Star | John Carpenter | 1974 | 5 |
| Dead Space | Fred Gallo | 1991 | 4 |
| Enemy Mine | Wolfgang Petersen | 1985 | 4.5 |
| Fantastic Planet | René Laloux | 1973 | 6 |
| First Man into Space | Robert Day | 1959 | 6 |
| First Men in the Moon | Nathan H. Juran | 1964 | 5 |
| Forbidden Planet | Fred M. Wilcox | 1956 | 9 |
| Forbidden World | Allan Holzman | 1982 | 6 |
| In the Dust of the Stars | Gottfried Kolditz | 1976 | 4.5 |
| Inseminoid | Norman J. Warren | 1981 | 4 |
| It! The Terror from Beyond Space | Edward L. Cahn | 1958 | 6 |
| Journey to the Seventh Planet | Sidney W. Pink | 1962 | 3 |
| Krull | Peter Yates | 1983 | 4 |
| Mutiny in Outer Space | Arthur C. Pierce, Hugo Grimaldi | 1965 | 6 |
| Planet of Storms | Pavel Klushantsev | 1962 | 4 |
| Queen of Blood | Curtis Harrington | 1966 | 5 |
| Silent Running | Douglas Trumbull | 1972 | 6 |
| Slave Girls from Beyond Infinity | Ken Dixon | 1987 | 4.5 |
| Solar Crisis | Alan Smithee, Richard C. Sarafian | 1990 | 4.5 |
| Solaris | Andrei Tarkovsky | 1972 | 7 |
| Starship Troopers | Paul Verhoeven | 1997 | 6.5 |
| Supernova | Jack Sholder, Walter Hill | 2000 | 5.5 |
| The Green Slime | Katsuhiko Taguchi, Kinji Fukasaku | 1968 | 5 |
| When Worlds Collide | Rudolph Maté | 1951 | 3 |
| Within the Rock | Gary J. Tunnicliffe | 1996 | 6 |
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